White artificial 1/4 stop silk scrim on stainless open-end frame for film grip and rigging to diffuse light by 0.6 stop.
White artificial 1/4 stop silk scrim on stainless steel open-end frame for film grip and rigging.
White artificial 1/4 stop silk scrim on 304 military-grade stainless open-end frame for film grip and rigging.
White artificial 1/4 stop silk scrim on 304 stainless open-end frame for film grip and rigging applications
White artificial 1/4 stop silk scrim on 304 military-grade stainless open-end frame for film grip rigging.
White Artificial 1/4 Stop Silk Scrim on Stainless Open-End Frame for Film Grip and Rigging
White artificial 1/4 stop silk scrim on stainless open-end frame for film grip rigging to soften and reduce direct light sources.
White artificial 1/4 stop silk scrim on a 304 military-grade stainless open-end frame for film grip and rigging use.
White artificial 1/4 stop silk scrim on stainless open-end frame for film grip and rigging to diffuse light by 0.6 stop.
White artificial 1/4 stop silk scrim on stainless steel open-end frame for film grip and rigging.
White artificial 1/4 stop silk scrim on 304 military-grade stainless open-end frame for film grip and rigging.
White artificial 1/4 stop silk scrim on 304 stainless open-end frame for film grip and rigging applications
White artificial 1/4 stop silk scrim on 304 military-grade stainless open-end frame for film grip rigging.
White Artificial 1/4 Stop Silk Scrim on Stainless Open-End Frame for Film Grip and Rigging
White artificial 1/4 stop silk scrim on stainless open-end frame for film grip rigging to soften and reduce direct light sources.
White artificial 1/4 stop silk scrim on a 304 military-grade stainless open-end frame for film grip and rigging use.

White Artificial 1/4 Stop Silk Scrim

$64.05 USD - $94.45 USD /
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Sewn on to the 304 military-grade stainless open-end frame of your choice, our white artificial 1/4 stop silk scrims diffuse direct light sources (0.6 stop).

Open Ends are used to control or manipulate light falling on certain areas of the set or subject. They can be used to soften or reduce light without creating a shadow or a noticeable edge.

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